Tuesday, March 19, 2019

Casablanca and Nineteen Eighty-Four (1984) :: Nineteen Eighty-Four 1984 Essays

Casablanca and Nineteen 84 (1984) How can a hero survive in a universe gone mad? Both Casablanca, the classic 1940s film, and 1984, a gather of classic literature by George Orwell, revolve around a human being in chaos, where it is impossible to trust anyone, and a war wages on recondite down and without. In 1984, the protagonist, Winston, hides from a totalitarian, thought controlling government, that is out to stamp out all aggression against the Party. In Casablanca, the lead character, sophisticate, dealt with a founding rocked by the impacts of World War II, where of all timeyone was a spy, and even the spies were spied on. Both invite for hope and courage in their mutually exclusive human beingss, yet merely Rick finds hope in his. Winston dies with utter hopelessness, where no one get out ever know of his life or deeds, yet he dies a hero. Rick is a cynic, tossed into a chaotic yet romantic world, and comes a situation victorious. In Casablanca, we e merge with a feeling of hope, and joy, that the forces of good can win, and that ultimately we will triumph over our enemies, wherever or whatever they may be. While slochky and romantic, Casablanca is a touching movie, and probably one of the best ever made. 1984 on the other hand, is a deep psychological thriller. In the world of utter thought-control, we find that even a strong hero much(prenominal) as Winston, is struck down by the party, for simply being alive, and that the virtuosity within humanity will eventually be overcome by our voraciousness and lust. Their struggles are that of man against the oppressor. Both 1984 and Casablanca deal with a world gone mad, and the struggles of not-so-ordinary people. Oftentimes, parallels can be made between characters in the two. Renault can be compared with OBrien, because both are double agents in their own ways, and one never knows for which side they work for. Of course, in the end OBrien is an agent of the Party, and Renaul t is a sympathetic Frenchman, who befriends Rick - Louis, this is the beginning of a beautiful friendship. Sam of course, is stability. He cant be bought or sold, and is seemingly a constant, always there and never too deep into the problems of the world. Sam represents the carefree aspect in all of us, the feeling that wed hardly as soon turn our attention away from the war and hum a tune.

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